As the director of photography for "Grateful Farewell," I embarked on a creative journey inspired by the visual styles of Wes Anderson and Robert Yeoman.

The central theme of "Grateful Farewell" revolves around unexpected events triggered by the biological parents of Alan Hayes' adopted children. Balancing comedy with life's unpredictable twists, the film invites viewers into a space where humour intersects with the complexities of family life.

Drawing from the visual aesthetics of Wes Anderson, I employed techniques such as symmetry and straight angles to evoke a sense of awkwardness within the protagonist's world.

In choosing the farce genre, my intention was to visually craft a film that leaves a lasting impression on the audience. By creating a visual identity for "Grateful Farewell," I aimed to immerse viewers in the story world and enhance their experience of the narrative.

Ultimately, my goal as the director of photography was to contribute to the film's success by bringing the director's vision to life through compelling visuals. "Grateful Farewell" is not just a film—it's an exploration of the human experience, told through the lens of farce with a bit of surrealism.