Across my recent projects, from the horror short Shadows to the documentary Painting With Light, I have pursued an editing practice that experiments with form and style to push storytelling beyond the script. I see post-production as an opportunity to rewrite and reimagine stories, seeking inventive techniques that not only serve the narrative but create new emotional and thematic dimensions. Whether building tension through distorted visuals or crafting emotional arcs from unscripted moments, I am committed to using editing as a creative engine rather than a technical afterthought.

At the same time, producing has become a natural extension of my creative ethos. I believe that strong work ethics, genuine collaboration, and the ability to find innovative compromises are the backbone of a producer’s role. Facilitating a director’s vision—by finding practical solutions without sacrificing artistic ambition—is a challenge I am passionate about embracing. Working across different genres has helped solidify my belief that a flexible, solution-driven approach is crucial to the filmmaking process, and it’s this fusion of creativity and pragmatism that I hope to bring to every project I am a part of.